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Blending fact with fiction, Wallace Stegner retells the story of Joe Hill—the Wobbly bard who became the stuff of legend when, in 1915, he was executed for the alleged murder of a Salt Lake City businessman. Organizer, agitator, "Labor's Songster"—a rebel from the skin inwards, with an absolute faith in the One Big Union—Joe Hill fought tirelessly in the frequently violent battles between organized labor and industry. But though songs and stories still vaunt him, and his legend continues to inspire those who feel the injustices he fought against, Joe Hill may not have been a saintly crusader and may have been motivated by impulses darker than the search for justice.
Joe Hill is a full-bodied portrait of both the man and the myth: from his entrance into the short-lived Industrial Workers of the World union, the most militant organization in the history of American labor, to his trial, imprisonment, and final martyrdom. His famous last words: "Don't waste time mourning. Organize."
"A genuinely powerful novel of labor as it once was in the U.S." —San Francisco Chronicle.
- Sales Rank: #897803 in Books
- Published on: 1990-09-01
- Released on: 1990-09-01
- Original language: English
- Number of items: 1
- Dimensions: 7.71" h x .83" w x 5.06" l, .58 pounds
- Binding: Paperback
- 384 pages
Most helpful customer reviews
43 of 44 people found the following review helpful.
Harrowing, controversial, engaging and deeply moving
By A Customer
Wallace Stegner's novel attempts to strip away the layers of mythology
created around songwriter, artist and organiser Joe Hill. Taciturn Swedish sailor,
fervent Wobbly, possible murderer, victim of conspiracy and, ultimately,
willing martyr - all these aspects of the legendary Trade Unionist are
explored in an effort to get to grips with the "real" Joe Hill.
Stegner has tried to penetrate the conventional IWW mythology around Hill, refusing
to accept the simplistic interpretation of an innocent man fitted up by the law.
Instead, the Joe Hill he writes of is human, multidimensional - possibly
guilty but a flawed hero nonetheless. Stegner explores the creation of a martyr andthe creation of a
myth. Reading the story of Hill adds a poignancy and human dimension to the
formulaic elegies of folksong and syndicalist tradition.
11 of 11 people found the following review helpful.
It's a novel, not a history
By Civil War scholar
Of course it's not factual history! All these reviewer smashing the book because they didn't get history out of it need to look more closely. The front cover states that the book is "a biographical novel." And if you read the back cover, it says that the author is "blending fact with fiction" to tell a good story. In other words, it's not history, it's a fictional story based on a true story. So it never claims to be a history. It's not the author's fault the readers are oblivious to the clear subtitle of the book indicating it's a "novel." As a novel and a story, it's pretty darn good.
0 of 0 people found the following review helpful.
A Biographical Novel ? ! ?
By Patrican
Even a writer as gifted as Stegner can’t have it both ways. Many passages are obviously made up: Stegner couldn’t possibly know the characters' conversations or their private actions, much less their thoughts or intentions or fantasies. (Stegner describes quite tenderly a great many of Joe Hill's fantasies.) Many other passages might very well be made up; a reviewer would have to do some serious research before treating the book as a biography. To me the book is essentially a novel.
Stegner’s writing displays frequent flashes of his remarkable descriptive power, especially in his background scenery, setting the stage for the action: San Pedro Bay at night, the ‘bo jungles along the tracks, the IWW meeting halls, Salt Lake City in different seasons— he does it all so well, with such creative vocabulary. But, overall, the book is too heavily freighted with polemic to allow for much sparkling prose. Stegner represents himself as Gus Lund, the saintly but practical Lutheran pastor who runs the Scandinavian Seamen's Mission in San Pedro. Lund likes Hill, is almost in awe of Hill’s raw intelligence and artistic talent. As Hill’s only ‘close’ friend, he comes to Salt Lake City for Hill’s trial. In these closing chapters of the book, Stegner fills page after page with Lund’s ruminations on Labor’s blind biases, its lack of morality, its indifference to the distinction between right and wrong, its quick resort to violence. Stegner's writing here is repetitive and tedious. It reads like a novel from the 1700s, where the plot is just a sketchy parable dripping with sermons of moral uplift. Since when did Stegner get so preachy?
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