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The Fourth Edition is again based on Robert Kimbrough’s meticulously re-edited text.
Missing words have been restored and the entire novel has been repunctuated in accordance with Conrad’s style. The result is the first published version of Heart of Darkness that allows readers to hear Marlow’s voice as Conrad heard it when he wrote the story. "Backgrounds and Contexts" provides readers with a generous collection of maps and photographs that bring the Belgian Congo to life. Textual materials, topically arranged, address nineteenth-century views of imperialism and racism and include autobiographical writings by Conrad on his life in the Congo. New to the Fourth Edition is an excerpt from Adam Hochschild’s recent book, King Leopold’s Ghost, as well as writings on race by Hegel, Darwin, and Galton. "Criticism" includes a wealth of new materials, including nine contemporary reviews and assessments of Conrad and Heart of Darkness and twelve recent essays by Chinua Achebe, Peter Brooks, Daphne Erdinast-Vulcan, Edward Said, and Paul B. Armstrong, among others. Also new to this edition is a section of writings on the connections between Heart of Darkness and the film Apocalypse Now by Louis K. Greiff, Margot Norris, and Lynda J. Dryden. A Chronology and Selected Bibliography are also included.- Sales Rank: #44932 in Books
- Brand: Conrad, Joseph/ Armstrong, Paul B.
- Published on: 2005-12-13
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 1.20" w x 5.20" l,
- Binding: Paperback
- 536 pages
About the Author
Paul B. Armstrong is Professor of English and former Dean of the College at Brown University. He was previously a professor and a dean at the University of Oregon and the State University of New York at Stony Brook. He has also taught at the University of Copenhagen, Georgia Institute of Technology, the Free University of Berlin, the University of Virginia, and the Institute for Doctoral Studies in the VisualArts. He is the author of How Literature Plays with the Brain: The Neuroscience of Reading and Art; Play and the Politics of Reading: The Social Uses of Modernist Form; Conflicting Readings: Variety and Validity in Interpretation; The Challenge of Bewilderment: Understanding and Representation in James, Conrad, and Ford; and The Phenomenology of Henry James. He is editor of the Norton Critical Edition of E. M.Forster’s Howards End and of the fourth and fifth Norton Critical Editions of Heart of Darkness.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Conrad, As Fine As It Gets
By Bruce Frier
There is no point in lavishing superlatives on this famous story, told (so it is alleged) by "Marlow" -- an alter ego of Conrad himself -- during a long night on a boat in the Thames estuary. The story is filled with ambiguity about Marlow's earlier trip up the Congo River to visit an ivory-collecting station run by a ruthless agent named Kurtz. The ambiguity is on a number of fundamental levels as Conrad confronts basic internal contradictions of the colonial regime.
The Norton Critical Edition is much the best if you really want to explore these multiple layers. It presents both extensive documentary evidence on the colonial regime, and a generous selection of later critical reactions, including Achebe's famous attack on Conrad as a racist, plus a large number of answers to that attack. It is also very helpful to have a set of photographs of Conrad's own trip up the Congo.
One thing I would say is that is is now hard to read Heart of Darkness without remembering the movie Apocalypse Now, which is a sort of free-form adaptation. But the original novel is much subtler, and certainly the style of it is also vastly more sophisticated. In particular, one has to admire the clever way that Conrad undermines the credibility of Marlow by having him tell two huge lies in the last pages. We are left to make up our own minds about what to believe and how to evaluate what we believe. It is an enduring challenge.
1 of 1 people found the following review helpful.
Dated in some aspects but a lot of the themes are still relevant
By Decker
I had seen this title and Conrad's name coined constantly through other mediums before I actually decided to read this. I wasn't really pressed on until I came across a lecture by Chinua Achebe, an African author, who claimed that Heart of Darkness and Conrad were racist. Nothing like some controversy to inadvertently give attention to what your actually protesting eh? His views on Conrad though reminded me of my own on Mark Twain though. I don't like Twain, I think he was a racist despite being hailed constantly by English teachers I've known. I would have thought the same if I hadn't come across his views on American Indians. He called us "scum of the earth" and other things. Statements he never retracted apparently. It didn't stop me from reading Twain which I have done but It didn't impress me. So I can actually somewhat understand Achebe's qualms but there turned out to be more to the Heart of Darkness than he would have some believe.
From what I understand this short work is heavily based on Conrad's own experiences from what he saw in the Congo Free State, something that would go on to effect his health and stability as it does for the character of the book Marlow. Marlow is a young man from England. Hungry for adventure on a steam boat in the dark continent. He manages to land a job with a company that is based on the Congo. So now the captain of his own tug boat he goes into Africa only to bare witness to the acts of the corporation he works for. Lines of naked bony natives in chains are led into mine shafts by uniformed men, massive tracts of the jungle are slashed and burned for bits of ivory, while starving slaves are left to die on the banks of the river. If this is progress then humanity is doomed it seems. But Marlow isn't there to gawk instead he's sent down river to track down and find a company agent, Mr Kurtz.
Kurtz seems to be a golden boy of the company. His superiors praise him, so does his family and friends. He is like the embodiment of European ideals, superior in every way to the savages but as Marlowe goes down the river and further into the dark jungles he learns more about this man and his troubling nature. Despite his superior stock and civilized morals Kurtz had quite literally "gone native". It can be looked at in various ways. A disturbing indictment of greed and imperialism. A look at the self destructive nature of humanity or civilization in general. While the book was good in the respects of allegory its still very archaic. His writing can drag in certain parts and feels pretty dated. But it's Conrad's depictions of the natives stands out above all of them. They have almost no actual culture, they prance around fires with grass skirts and bones in their noses; and the description of the witch woman feels like it was torn right out of a pulp magazine. Still though I think the themes of the book and overall message trump these bits but some may just find them distasteful.
In the end I actually liked Heart of Darkness but it definitely is racist in some parts. Conrad may have been disgusted with the Congo Free State, he may have been against imperialism, but he still saw the Africans as a lesser people. Still one can't really indict a man on views that were otherwise very common in his time. Compared to others from the same period Conrad was definitely a progressive. The book is pretty powerful and it had a strong message of anti-imperialism before it was beaten to death later on. In the end it's all a matter of taste. I liked it, its well written, not long, and it may dwell in the back of your head for a while. It left me wondering whether or not Kurtz's final message "exterminate the brutes" was meant for the natives or mankind in general.
2 of 2 people found the following review helpful.
An extended metaphor for human evil
By George C. King
The HEART OF DARKNESS is a frame story. The outside frame consists of four men sailing on the Thames on a boat called the "Nellie."The narrator of this part of the story, one of the four men, turns the story over to one of the other men, Marlow, who speaks for most of this short novel. He describes how he was hired by a company trading in ivory to retrieve one of their agents from the heart of the Congo--a man named Kurtz.
Before Marlow describes his adventure, the Thames is identified as the river used by the Romans when they came to subjugate and exploit the barbaric tribes living in what would eventually be called England. This brilliant irony is meant to parallel the contemporary Europeans and their exploitation of the blacks in the Congo to the Romans and the ancient English.
Marlow's spoken account describes a descent into darkness. The superior technology of the European company (guns, steamboat, and machines) is used to exploit the ivory trade and subjugate the natives--who are variously referred to as savages, cannibals, devils, and the "N" word. I couldn't disagree more with those who claim that this novella is racist. It is a depiction of racism--much like HUCKLEBERRY FINN--at the end of the 19th century in Europe.
When Marlow eventually finds Kurtz, after a harrowing steamboat trip down the Congo, he is horrified. The man has made himself into a god for the natives, has killed and beheaded enemy tribesmen, and essentially become more savage than the savages. The interior of the Congo is literally the heart of darkness (the impenetrable, foreboding jungle), Kurtz has a heart of darkness, and the allusion to the Romans at the outset suggests that all humanity possesses this defect, which shows up in generation after generation. I found the novel to be an inspired indictment of European colonialism and an extended metaphor for human evil.
I downloaded this for free to my Kindle and read it in two days.
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